Armin Hoffman’s Principles
The Dot
When a dot is within space it becomes light and looks like
it is floating, has the effect of weightlessness. The dot can also be used to
create transitions throught the use of varying sizes, creating the impression
of light and shade within a piece. A dot in a square must be equally
proportioned to create balance. If the dot is too large or small for the space
it will create disturbance and the feeling of overpowering elements. A dot
radiates when in the centre of a space and is passive and static, whereas an
off centre dot creates a sense of aggression. It also gives the impression of
movement like the dot is travelling through the space. In a triangle of dots
there is a flow of movement between the elements. When a dot is made three
dimensional, into a sphere it has the same qualities as a dot, however the
characteristics are emphasised.
The Line
A line is a dot in motion, it creates a sense of movement
from one point to the next. (The line has gone through a process of growth.
Does this make it organic?). When a line extends past the field of vision it is
hard to comprehend as its physicality has been altered. Knowing the dimensions
allows it to be seen as a shape. Colour cannot be seen in thin lines and
thicker coloured line need to be extended so they don’t look like plains. A
thin black line becomes grey, whilst white holds itself better on black.
Confrontation
Different elements can be brought together in a composition,
however contrasting elements are harder to create harmony between. Writing is a
form of communication created from signs to portray a message based on metal
agreements. A pictures message is not always clear and takes more effort to
understand. Can show movement, tone and force which all create responses
Letters and signs
Letters are used too often to take notice of their form
however in a design sense they provide a formal element which can be
manipulated without losing its original meaning.
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