Type Snap – Masato Nakada
Summary
Masato Nakada has created an experimental web based type made up of split letters which will be used in texting to speed up the process.
By adapting web based typography she is able to better reflect the evolution of modern communication. SMS abbreviations have replaced typed sentences and Emoji’s are now replacing texts. By splitting the letters this allows words to be read faster whilst also increasing the quantity of meaning which can be written. This means that the user will be able to say the same amount in less words. She says web based typography has different qualities to print and provides the ability to add animation to create a dynamic user experience.
Type Snap Website |
Type Snap Website |
Analysis of Type Snap
By halving the
letters and putting them into context next to each other it increases their
legibility, as stand-alone letters they aren’t always legible. On the website,
the animations sometimes have two halves of the same letter next to each of which
defeats the purpose of halving them to reduce space. This suggests the idea is
not completely effective in practice. The use of animation makes the idea more
dynamic however it is quite disorientating in sentences, so it would have to be
reduced to singular words or phrases at the most. Certain halves of letters are
naturally more legible and some features are more distinctive within
letterforms so this needs to be taken into consideration when choosing the half
to use. The spacing between character halves is also varied which looks
disjointed when read as a whole. This could partly be used to create negative
space for the reader to unconsciously project the rest of the letter into. It
also helps in separating characters which would merge into illegible forms.
Analysis of the article
Why is web
based typography not the same as print? In some respects, it can be the same
visually, however both have other qualities that can be manipulated. The only
difference between web and print is one can be animated whereas the other is
static. The conceptual link between ligatures and her work suggests that the
design will speed up the reading process. However not all of her characters can
be put together side by side to form ‘ligatures’ in a legible way. Does her
work increase the speed in which someone reads or just decrease the space in
which the words take up?
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